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- <text id=92TT1692>
- <title>
- July 27, 1992: Reviews:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- July 27, 1992 The Democrats' New Generation
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 69
- CINEMA
- A Future Camp Classic
- </hdr><body>
- <p>By RICHARD SCHICKEL
- </p>
- <p> TITLE: HONEY, I BLEW UP THE KID
- DIRECTOR: Randal Kleiber
- WRITERS: Thom Eberhardt, Peter Elbling and Garry Goodrow
- </p>
- <p> THE BOTTOM LINE: Paced like a cheerful comedy, the movie
- busily denies its true, quite perverse nature.
- </p>
- <p> Godzilla with diaper rash? The terrible twos writ terribly
- large? How to characterize a film about a baby whose eccentric
- inventor father accidentally turns him into a 112-ft.-tall
- monster and who toddles off toward the bright lights of Las
- Vegas, wreaking innocent havoc along the way?
- </p>
- <p> The film's creators resolutely play it for laughs. The
- actors gamely keep striking comic poses and speaking their lines
- just as if they were funny, though they rarely are. But Honey,
- I Blew Up the Kid (which, as the title implies, is a sequel to
- the megasleeper of three summers ago) is actually a horror
- movie -- a horror movie that is deep in denial, refusing to own
- up to its essentially dark, not to say twisted, nature. There
- are moments when you find yourself wishing Disney had turned
- the darned thing over to David Lynch and let him make a damned
- thing of it.
- </p>
- <p> Or that they had more closely calculated the effect of
- having Wayne Szalinski (Rick Moranis) reverse the process that
- made the first picture so successful. When Wayne inadvertently
- shrank his kids to the size of insects, he turned them into
- victims whose plight evoked -- dare one say it? -- a degree of
- pity and terror. Well, a certain agreeable suspense at the very
- least. But this time, when Pop accidentally inflates the kids'
- little brother Adam (played by twins Daniel and Joshua
- Shalikar), he creates not so much a sympathetic character as a
- really nightmarish creature.
- </p>
- <p> Like, say, the Beast from 20,000 Fathoms or any of the
- other gigantic projections of our early atomic-age anxieties.
- Like them, Adam is the product of careless science run amuck.
- Like them, he is pre-moral, not amenable to reason. And like
- them, his most gripping moments occur when he is looming over
- a cowering city, with older brother and his girlfriend (Robert
- Oliveri and Keri Russell) tucked in his pocket and distinctly
- at risk, since they and their car look like toys to him.
- </p>
- <p> At this point Honey gets very interesting. You can have a
- good -- or, anyway, a weird -- time at this movie if you keep
- rewriting it in your head as it careens along. For this is one
- of those rare moments when moviemakers, going about the routine
- business of digging for sequel gold, have struck a rich vein of
- surrealism and need our help in identifying the treasure they
- have found: the stuff of what may someday be a camp classic.
- </p>
-
- </body></article>
- </text>
-
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